GEORGE MAYER-MARTON
  • Gallery
  • Biography
  • Exhibitions
  • Memorabilia
  • Recollections
  • News
  • Contact

Biography

Gyor, Hungary 1897 - Liverpool,1960
​ 
George (Georg or Gyuri) Mayer-Marton grew up during the final years of the Austro-Hungarian Empire. The family was agnostic. His youth ended with two years under fire during the Great War. 
He studied art at the Academies of Vienna and Munich. By 1927, married and set­tled in Vienna, he was Secretary, then Vice-President of the progressive society of artists, the Hagenbund. During the increasingly difficult interwar years he was one of the pivotal personalities of the time, receiving widespread recognition as an artist and public honours, in Austria and beyond. In 1938 with the advent of the Nazis and the enactment of Hitler's race laws, he and his wife, a gifted pianist, were forced to flee to England as penniless refugees. 
In 1940, during the Blitz, his studio home was burnt by an incendiary bomb. Most of his life's work and his personal possessions were destroyed. His wife never recovered her mental equilibrium. 
Twelve years of itinerant lecturing for the Arts Council followed; years which were personally bleak and artistically frustrating. He was not in a position to paint in oil again, financially or logistically, until 1948. Thus nearly thirty years of oil painting were lost. However the continuity apparent in his watercolours gives a clear indication of the extent of that loss. 
In 1952, after the death of his wife, and redundancy following reorganisation at the Arts Council, he was free to take up the post of Senior Lecturer in the department of painting at the College of Art at Liverpool. This was a most fortunate move leading to a renewal of prolific artistic output, particularly in oil and, for the first time, in face mosaic, a technique he had studied in Ravenna thirty years before. The course in this technique which he instigated at the College was the first of its kind in the U.K. His civilizing influence and breadth of vision, underpinned by a deep understanding of Art History, combined with the technical skill of the practising artist, are remembered with gratitude by former students. 
His abiding interest in music was reflected in his painting and mosaics, not only in subject matter but also in the chromatic use of colour, and the feeling for structure and form which characterise his landscapes. In 1957 all the different strands came together with the Pentecost Mosaic, his acknowledged masterpiece.
He died from leukaemia, in August 1960.
Born 1897 Raab / Gyor in Hungary
1917-18 Serves as artillery officer on the Russian front for the Austrian army
1917 Elder brother Pishda killed 
1919 Studies at the Academy of Arts, Vienna
1921 Studies at the Academy of Arts Munich
1923 Marriage to Greta Fried, pianist
1923-1939 Participates in over 40 national and international exhibitions as Secretary and Vice-President of the Hagenbund, Vienna
1928 Illustrations for Der Kreidekreis (The Chalk Circle) by Klabund
1928 & 1936 Ehrenpreis der Stadt Vienna (Prize of of Honour of the City of Vienna)
1937 Decoration de Chevalier de l’Ordre de Leopold II of Belgium
1938 Emigrates to England
1939 Banned by the Nazi regime from practising as a painter and graphic artist
1940 Destruction of majority of art work by incendiary bomb in London
1942 Works for C.E.M.A. (predecessor of the Arts Council)
1945 Learns of murder of parents in Auschwitz (it later transpires that the Nazis murdered his mother in Gyor)  and of the death of his younger brother Vilmos on forced labour march
1952 Death of wife Greta
1952 Appointed Senior Lecturer at Liverpool College of Art
1960 Death from leukaemia, Liverpool
 
Proudly powered by Weebly
  • Gallery
  • Biography
  • Exhibitions
  • Memorabilia
  • Recollections
  • News
  • Contact