Photograph by Trude Fleischmann
“During the night of 11/12 September 1940 a German incendiary bomb set the studio at 9 Elm Tree Road on fire. Cessation of work, nowhere to live. This workbook has been put together on the basis of the half-burnt original and is incomplete” G Mayer-Marton Reconstructed Workbook
"some of the most elegant and incisive graphics in existence” Max Wykes-Joyce, Arts Review 1974
“a highly civilized man, and an artist of consistent accomplishment, whom our wretched century subjected to a generation of misfortunes, and who yet subdued them all” Hugh Scrutton, Director of the Walker Art Gallery, Liverpool
“one of the outstanding artists of Austro-Hungarian origin from the twenties, thirties on into the fifties ” Regine Schmidt, curator Belvedere Gallery, Vienna 1986
"His dedication and humanity are already legendary: this showing is no more than a civilised gesture towards a man who truly understood the meaning of civilisation." Anthony Tucker, art critic, Manchester Guardian 1961
"some of the most elegant and incisive graphics in existence” Max Wykes-Joyce, Arts Review 1974
“a highly civilized man, and an artist of consistent accomplishment, whom our wretched century subjected to a generation of misfortunes, and who yet subdued them all” Hugh Scrutton, Director of the Walker Art Gallery, Liverpool
“one of the outstanding artists of Austro-Hungarian origin from the twenties, thirties on into the fifties ” Regine Schmidt, curator Belvedere Gallery, Vienna 1986
"His dedication and humanity are already legendary: this showing is no more than a civilised gesture towards a man who truly understood the meaning of civilisation." Anthony Tucker, art critic, Manchester Guardian 1961
Fresco and Mosaic Mural at the Church of the Holy Rosary, Oldham
currently under threat
